Sjöwall and Wahlöö, The Laughing Policeman (1968)

Now I know where to turn when I want perfectly depressing cold-weather murders: 1960s Sweden of the Sjöwall and Wahlöö’s fame. Don’t we love them all? (uh, just kidding)

But I know my limits. After Roseanna and The Man who went up in smoke, I decided to skip the next mystery in the Beck series because it involved a child murder, and Beck’s Sweden being depressing enough, I didn’t want to add insult to injury.

The Laughing Policeman is no laughing matter (except when you take a second look and start to look for dark humor, which you’ll find aplenty). It starts with a random mass killing in a public bus in Stockholm. Among the ten victims, a young colleague of Beck is found, carrying his service weapon despite not being on duty. When his girlfriend tells the police that he was working days and nights on a case, Beck and his colleagues have no idea which one. And they aren’t even sure that the murder has anything to do with their colleague’s presence on the bus rather than with any of the other victims’ dark secret.

I don’t think the whole plot goes by with any sunny day. It’s always raining and policemen are miserable with colds and sore throats, not to mention damp feet whenever they visit witnesses and suspects. You sure can’t accuse Sjöwall and Wahlöö to glorify the police, nor to work for the Tourist bureau. Detectives’ work is painstaking and ends up in many dead-ends.

Make no mistake: it may sound suspiciously boring, but it isn’t. There’s a lot of humor and warmth in the detectives team’s description of quirks and twists. Sjöwall and Wahlöö also have a terrific eye for painting society as a whole, with just as many words as necessary. Vietnam demonstrations open the book and there’s no doubt that the writers aren’t quite happy with the conservative government of the time.


5 thoughts on “Sjöwall and Wahlöö, The Laughing Policeman (1968)

  1. I read the first in this series some time ago and have been meaning to go back and finish the other nine. The thing is that there are always spoken of as working together to provide a picture of Swedish society at the time and so I’ve always felt that I ought to try and read them, if not one after the other, then at least with only a short break between them. It feels like a summer holiday project (dark and dreary or not).

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