Peter Robinson, Gallows View (1987)

First came… the DVD. As you may have noticed, I’m a fan of British murder mysteries and Mr. Smithereens has indulged me in discovering the DCI Banks series, featuring Stephen Tompkinson as the obstinate inspector.

Of course I knew they were adapted from books, but for a while, the DVDs were good enough. At the end of the season, and at the end of the pregnancy, though, I wanted to try the books instead. But I was in for a disappointment.

This one is the first book with inspector Banks, of a series that now counts over 20 books, and it just doesn’t feel mature just yet. The characters take their time to get into the picture, so that the pace is far too leisurely to sustain my (very limited, I concede) attention. The small Yorkshire town where Banks has just relocated from London fails to materialize in my mind. I can’t figure out if it’s a big village à la Midsomers Murders, or a suburban town. I’ve never been to Yorkshire, and the TV series seemed much more urban/suburban to me than the book.

The crimes that Banks gets to investigate this time seemed rather bland to me (or I’m just jaded, or, more probably, the nature of fictional crimes has significantly escalated in the past 25 years): a couple of house break-ins by bored and drugged thugs, a peeping tom and an old lady found dead possibly in connection with the first or the second occurrence. It was surprisingly subdued and very very procedural. Whereas American police procedurals à la Law and Order may have jumped into conclusions, here Banks takes every care to ascertain if crimes are linked or not, which is a good point for realism, but not for the book’s pace.

I have the impression that the series got better over time. This one, though, has aged a bit. There is, in particular, the hilarious (in retrospect) scenes at the camera club where Banks’ wife Sandra goes to practice: some guys there complain of the newly introduced autofocus (or so I gather, I’m no techie and I read it in French) in film photography, on the account that calculating aperture and shutter speed manually is just as well. Clearly not ready for Instagram! The bit that annoyed me was the also dated character of the feminist advocate, making a campaign against the police for not taking the peeping tom case seriously enough, who is outrageously caricatured.

If you are a Alan Banks fan, which book do you think I should start with?

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2 thoughts on “Peter Robinson, Gallows View (1987)

  1. I think of all the crime writers I really admire (and Robinson is definitely high up there amongst them) he is the writer who shows most development as he goes on. Normally I am a great proponent of reading an author’s work in chronological order but if ever there was a case for starting, say, halfway through a series then this is it. Then, when you have really become engrossed you can go back and fill in the missing episodes.

  2. I’ve heard this a lot about Peter Robinson’s books – that his early ones are much weaker than the later ones. I wish I knew when the changeover comes, as I’d read more too if I was sure which were which. I didn’t actually know they’d been televised….

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