I won’t really discuss the literary merits of the book, because I am a Tolkien fan and I have no ambition at objectivity. The Hobbit has been a great, possible the greatest favorite of my childhood (that was before I read the Lord of the Ring). My father read it aloud to me at bedtime around age 9 or 10 I guess. I was mesmerized. The book clearly lacks feminine role models (or any female at all, unless the mere reference to Mrs. Took, Bilbo’s mother or aunt counts for anything) , but I remember role-playing Gandalf with my (geek) friends.
Rereading it this year felt great, because I knew that reading wouldn’t be among my priorities this year. I took the easy way and got the audiobook, read by French actor Dominique Pinon, of Amelie’s fame. I downloaded it into my phone, to listen to at the maternity during feedings, and later on during the long walks I took in the park to soothe the baby.
I didn’t regret this choice. Pure escapism is nice when one is tired (in case you ask, I watched the movies too, and I enjoyed them, although they aren’t, of course, exactly as good as the book, but ugh, this seems a pointless discussion to me). It was quite an immersing experience to listen during so many hours over more than a month or two. I didn’t need to concentrate as much because I knew the story, and it was very comforting to reconnect with these characters I’d known as a child.
Although I was at first surprised by the choice of reader, I was soon convinced that Pinon has a great voice for a fantasy book. His voice is raspy, husky and he doesn’t shy away from croaking, whispering, or threatening when the action demands it. He properly rolls the “r” like a dwarf is expected to (at least in French) and has an apologetic, unassuming, shy little voice for Bilbo Baggins.
As an adult reader, I was surprised to see how different the Hobbit is from the LotR trilogy. It is a lighter adventure, mainly started for fun and bravado (with its fair share of terror and personal tragedies), and although Tolkien builds worlds from scratch and makes them alive, I don’t think he had any intention to make Bilbo’s quest a deep metaphor for fate, destiny and the end of civilization (clearly the LotR has larger ambitions). Also, in terms of plot, I can really see Tolkien inventing episodes along the way as he tells them to his children, which would explain an irregular pacing and also the somewhat clumsy ending. After Smaug the dragon is defeated, everyone being greedy about the treasure, it could easily have become a deadlock and a nasty war between men, dwarves and elves, and I felt that Tolkien didn’t want to depart from the children’s lit traditional arch where good guys and bad guys are neatly separated. The arrival of the goblins and evil wolves seems like a (too?) easy way out, and Thorin’s death conveniently removes any difficulty about the dwarves’ not-so-nice intentions.
But even as an adult I can’t find (serious) fault in this book, and I’m really looking forward to reading some of it to my sons one day. In fact, my elder son might start to be of age for this, what do you think?