The one with too many twists and turns

Hélène Grémillon, The Confidant (2010)

The problem with audiobooks is that when you don’t enjoy it much you can’t make them go faster and skip chapters: it’s black or white, either you just drop them or you have to stick with them until the (bitter) end.

What about books stuck in the middle?

The truth is that I got terribly annoyed, which came at the expense of the book. The story was so suspenseful that I just couldn’t abandon it altogether, but the more I forced myself to listen, the more my disbelief and my annoyance grew. By the end I was ready to thrash the whole thing!

To tell the story of The Confident is first to explain the construction: a box within a box within a box, all full of secrets and surprises. The first story is told by Camille, a young woman who works as a publisher in 1975. She’s pregnant from a boyfriend who doesn’t want to Her mother just died, and deep into her grief she starts receiving anonymous letters from a man she doesn’t know, Louis, who tells her about a woman called Annie. At first Camille thinks it’s a ploy to sell her a manuscript, but she’s soon hooked, especially as some details hit close to home. The moment when we switch to Annie’s voice, set between 1939 and 1943 is the start of the real story.

Annie is a young girl who has befriended the wealthy Parisian woman, Elisabeth, who lives in her village’s chateau. The woman has fertility issues, and on a whim Annie tells her that she would carry her child. If that offer was serious or not, we don’t really know, but Elisabeth takes her at her word. Drama ensues as the war is approaching fast.

I won’t go any further into the story. While it may be promoted as a book about the war, it’s more of a thriller cum romance drama, with jealousy, betrayals, heartbreak and… surrogacy. The Confident is not a bad book, but not a great one either. It’s just plain manipulative, and it doesn’t even hide from its purpose. The writing is very self-explanatory (which grated on my nerves), full of definite truths and aphorisms. The same facts are turned onto themselves as we get first Annie’s view, then Louis’, then Elisabeth’s. The more twisted it gets, the less plausible it becomes. And don’t even start me on the ending.

Given that it was quite a bestseller in France, I’m sure a lot of (French) readers will disagree with me. But it was just not the right book for me.


2 thoughts on “The one with too many twists and turns

  1. I am having a similar problem with At The Water’s Edge by Sara Gruen. I feel I’ve committed a certain amount of my time to it and I’d hate to just drop it. I loved The Night Circus, so I’m disappointed along with everything else. I wish I could “fast forward” because some of the writing is fairly good. So what should I do during my hour in the car every day? Listen to talk radio? Not a happy choice.

    • Now, one of the big competitors of audiobooks during my commute these days is podcasts. Have you tried them? Some are so good in storytelling that some books pale in comparison (I’m thinking This American Life, for example).

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