First of all, I am grateful to Grove Press, Black Cat and Netgalley for the chance to read the advanced copy of this book in exchange for an honest review. It is my choice to challenge myself by reading more short stories this year, of new-to-me authors, and this book was right up my (g)alley.
Challenged I was indeed: not that those stories were really disturbing (not like Joyce Carol Oates’, another collection I finished recently), but I must say that some of the stories of this collection made me feel that I was in over my head and that I was missing something.
Not all of them, luckily. The first story, Petur, grabbed my attention from the get-go:
Ash fell from the wind. She began to take long walks. Before breakfast, after lunch, she walked the weed-pocked path to the lake. White ash turned the lake’s surface to desert and the tops of the fjalls invisible.
An old woman travelling to Iceland with her son might feel like the kind of once-in-a-lifetime trip à la Oprah, but when you learn that the son thinks his mother has dementia, that the mother is slightly disappointed that her son would be so utterly banal, and that they are both stuck in Iceland countryside by the eruption of the volcano, you realize that Olivia Clare has a vision of her own, where nothing is black and white (or rather ash-grey). I read the online magazine version (in Ecotone), and I noticed definitely some slight modifications between the book version and the magazine version. The magazine version is more explicit, the book one is more elusive (which might explain why I could have the feeling to miss hidden meaning here and there), but I liked the latter better.
The next short story, Olivia (which I had to wonder, is or is not related to the author), is seen through the eyes of a rather meek and very anxious housewife who resents the arrival of a friend’s son in their home. The young man is looking for a job in the city, but his presence in the house upsets the delicate balance of things in the household and he’s not your typical polite house-guest. After a few stories that resonated less with me, the last story of this collection, Eye of Water, felt extraordinary. It could be classified as science fiction but is quite intimate, set in a time where a drought in California and Utah has turned water into something more precious and more expensive than drugs and alcohol. This one story was probably the saddest, and yet there are unforgettable images.
Olivia Clare’s writing is all in subtlety and nuances. The title of her collection seems self-deprecating but somehow sets the right tone. Her characters’ problems are huge but intimate yet their lives are rather privileged. It would be easy to dismiss the magnitude of the emotions they experience but they are nonetheless of the heartbreaking sort. Her style is neat and concise. Even though not all stories were right for me, her voice made me stick to it and I would be glad to read more of her.