The Ones on Medea’s Youth

Blandine Le Callet (story), Nancy Peña (art), L’Ombre d’Hécate (Médée #1, French 2013) – Le couteau dans la plaie (Médée #2, French 2015) – L’épouse barbare (Médée #3, French 2016)


Some people have strong opinions about modern retellings of traditional myths, or classics; I have disliked some, been puzzled by some, unimpressed by some and loved others. What’s for sure is that they have never left me indifferent.

At our new library I found a graphic series about Medea, which is totally amazing. I hesitate to report it because the series is still ongoing and it’s only in French, but for what it’s worth… Just like La Bouche d’Ombre which I reviewed recently, it is a cooperation between a female writer and a female graphic artist, which makes it even more interesting!

Medea is not an attractive female figure, she’s too shocking and disturbing. She is a dark witch, she is sexually active and she becomes so hysterical with jealousy that she kills her own children: who would want to identify with her?

Yet, in this retelling, we get to learn her life from her childhood on, and things take a different meaning. The Medea we know is the product of centuries of male domination and Medea is blamed because she is daring, intelligent and does not accept her fate. I have yet to read the third volume but the first two, about Medea’s childhood and her teenaged years were great. It  shows a girl with a modern mind stuck in an antique setting, whose only freedom is the one left to her by her tyrannical father because she has special skills (witchcraft!). It may annoy some readers, but it makes her so much more relatable. She meets Jason and falls in love at first sight because he’s a breath of fresh air in an oppressive palace. I can’t wait to read the third book that will likely delve into the dark, tragic side of Medea as a wife and mother in a foreign country.

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