Nathalie Leger, La robe blanche (French, 2018; English Title: The White Dress, 2020)
I first heard of this writer and this book from Reading Indie’s newsletter, and I was sort of piqued that I’d never even heard of a French writer.
The White Dress is the sort of book that resists categorization. It’s probably an essay, although it could also be a novel intercepted with real facts. The narrator may be Nathalie Léger herself but I can’t say for sure, even though I will assume so in this post. She hears about the artist Pippa Bacca through the news and becomes obsessed with her. Pippa Bacca is a young performance artist, who left her native Italy in early 2008 wearing a bride’s white gown to travel across Europe depending on people hospitality and kindness. It was an artistic gesture of hope and trust, trying to meet people along the road from Italy to Jerusalem crossing the Balkans (just a few year after a terrible war) and Turkey. She hitch-hiked from place to place, and wherever she stopped, she met with local people and midwives and explained her artistic endeavor for peace, filming herself to document her trip.
Unfortunately, after a few months, Pippa Bacca meets a tragic death in Turkey, raped and murdered by a man who has taken her for a ride. Her idealist quest for peace has ended in senseless violence. Even worse, the murderer stole her video camera and filmed the wedding of one of his own relatives. It is both shocking and senseless, and Nathalie Léger never tries to give definite answers to all the questions that this event raises. What was Pippa trying to demonstrate? What about this wedding dress? Was she naive, religious or something else? Léger refers to a lot of other female performance artists and interrogates what is performance art and what are female artists attempting with these quests. I am personally fascinated by Marina Abramovic‘s performances, and I am aware that for most of these pieces, artists don’t provide a ready-made explanation of what they want to do, so as a reader you’re left with the mystery, even more so as Pippa is no longer alive.
The book has a second story line about the narrator’s own mother and her attempt to come to terms with a fault divorce. Léger’s father sued her mother for divorce, humiliating her publicly, and she never could defend herself. Along the book, we see the daughter and the mother getting closer to one another. It’s a bit confusing at first because the two lines of the book are apparently nothing to do with each other, but when I finished the book I could see it as an exploration of different aspects of violence against women.
I really enjoyed this book, even though it is very different from what I’m used to read. I find similarities with Patrick Modiano’s Dora Bruder, which is a personal inquiry into a real person, dead a long time ago, and how mysterious the life of others can remain despite our attempts. The White Dress is a part of a trilogy; I look forward to read the two other parts.
PS. The White Dress is available in English from the Dorothy Project, as are the two other books in the trilogy.