I don’t know about fellow book bloggers, but in my experience it’s so much easier to write about a book one dislike than a beloved book, and to add another layer of complexity, it’s way easier to write about novels than short story collections. All this to say that I’m sorry to write only now about this collection I read and enjoyed in early July (!). If I delayed writing this post many times, it’s because the book is really good and I don’t want to mess it up!
This collection presents 22 stories written between 1940 and 1946, many of them published in the NewYorker for American readers. Of course, as this collection is published by beloved Persephone, it begets questions and comparisons with other women-centric short stories of the same period, such as Goodnight Mrs. Craven by Mollie Panter-Downes (which I loved). Both collections focus on women’s daily experience on the home front (more often than not the quintessential British village or the upperclass mansion – think Midsommer Murders) and what goes in their hearts and minds beyond the official “Keep Calm and Carry On”: hopes and fears, tragedies, disappointments and tiny intimate upheavals. But Mollie Panter-Downes’ stories are a bit more emotional and kind, while these stories often have a darker undertone, although often tinged with enough humor to make it more palatable.
Even though I read them two months ago now, I still have fresh memories of these vivid scenes. Evacuee children from London to the countryside don’t react to their new surroundings like the adults expect them to. Tobacconists have few cigarettes left: which customers will they favor with their treasure? Wealthy homemakers contemplate the potentially liberating destruction of the home they’ve been restricted to. Women learn to use weapons in the perspective of a potential Nazi invasion, but perhaps they shouldn’t be trusted to have such powerful tools. Burrial ceremonies – and the ensuing family reunions – get disturbed by the impromptu falling of a bomb. Women in the absence of men make unconventional lodging arrangements. And so many other stories… We get to see a bit of everything, from wealthy to poor people, from Londoners to country people, and every time Sylvia Townsend Warner takes an unusual perspective.
I don’t know why Sylvia Townsend Warner is so little known and so little read. She’s been already a favorite writer of mine since Lolly Willowes, but I have neglected her for too long. This collection convinced me to try and find more books by her, either stories or novels. I’m writing this up for the winter!